Slrdsyj
2004-01-17 12:07:13 UTC
Of director Peter Weigl's film works, "The Lady Macbeth of Mtsensk", "Eugene
Onegin", "A Village Romeo and Juliet", and "Die Winterreise" are the ones that
I've seen. He is truly talented and has done a remarkable job with his film
versions of opera and other classical music. His works are elegant, sometimes
sensual, occasionally mixed with a dose of eroticism, well-cast with attractive
and convincing actors with little exception. The naturalistic settings - the
lush interiors, and beautiful exteriors and scenery of nature - are grand
without being gaudy. He does not feel a need to over-modernise things, trying
to be so hip or so hot or chic. There is no smugness in the tone of his
directing style or his sets.
I've been told that Weigl is almost 80 years of age. On that note, I've
thought of one thing. Opera productions done on stages in theatres are
irreplaceable. There is no substitute for this. At the same time, Weigl has
carried on a fine tradition of film productions of operatic works that is
worthy of being continued into the future. Although, Weigl is not the first
person to work on this art of opera movies (Jean-Pierre Ponelle and Mario
Lafranchi have given the world other good and notable opera films that also
deserve acclaim), he has left a legacy of fine and splendid work. I've been
told that he's been directing such opera and classical music films since the
1970's through to the 1990's.
Who among directors is going to carry on this worthy tradition when Petr
Weigl is gone?
Onegin", "A Village Romeo and Juliet", and "Die Winterreise" are the ones that
I've seen. He is truly talented and has done a remarkable job with his film
versions of opera and other classical music. His works are elegant, sometimes
sensual, occasionally mixed with a dose of eroticism, well-cast with attractive
and convincing actors with little exception. The naturalistic settings - the
lush interiors, and beautiful exteriors and scenery of nature - are grand
without being gaudy. He does not feel a need to over-modernise things, trying
to be so hip or so hot or chic. There is no smugness in the tone of his
directing style or his sets.
I've been told that Weigl is almost 80 years of age. On that note, I've
thought of one thing. Opera productions done on stages in theatres are
irreplaceable. There is no substitute for this. At the same time, Weigl has
carried on a fine tradition of film productions of operatic works that is
worthy of being continued into the future. Although, Weigl is not the first
person to work on this art of opera movies (Jean-Pierre Ponelle and Mario
Lafranchi have given the world other good and notable opera films that also
deserve acclaim), he has left a legacy of fine and splendid work. I've been
told that he's been directing such opera and classical music films since the
1970's through to the 1990's.
Who among directors is going to carry on this worthy tradition when Petr
Weigl is gone?